The Teatro dell’Aquila represents the vibrant heart of social and cultural life in Fermo, established in the late 18th century in response to the growing need for a monumental and modern performance space. Its construction, which began in 1780 under the design of the famous Imola architect Cosimo Morelli and executed by master builder Luigi Paglialunga, was a long and complex process, influenced by the specific choice of site on Via Mazzini. This location affected the structure, which develops longitudinally in relation to the street, depriving the building of a main facade and placing the entrance on one side, a peculiarity that distinguishes it among the landscape of major Italian theaters.
The fire of 1826 and the subsequent restoration works
The current configuration of the hall is the result of profound renovations that took place after a dramatic fire that, on the night of January 23 to 24, 1826, destroyed part of the boxes and the ceiling. Under the direction of architect Giuseppe Ghinelli, the theater adopted the 19th-century stylistic imprint that characterizes it today, with a lowered auditorium to improve acoustics and 124 boxes arranged in five tiers. The decorative apparatus is remarkably crafted: the railings of the boxes feature golden stuccos crafted by Biagio Baglioni, while the gaze of the spectator is inevitably captured by the majestic Parisian chandelier with 56 arms, purchased in 1830, and by the “face” of the hall, a figurative tempera created by Luigi Cochetti depicting elegantly grand mythological scenes.
The Teatro dell’Aquila: a stage for great names
In addition to its architectural magnificence, the theater is renowned for its artistic excellence and the original stage mechanisms of Antonio Pizzoli. Since its inauguration in 1791 with the drama “The Destruction of Jerusalem,” the Fermano stage has seen the most illustrious names from the international panorama perform, from icons of opera to contemporary prose protagonists like Toni Servillo and Pierfrancesco Favino, as well as prominent interpreters of popular music. Today, thanks to constant restoration interventions and collaboration with prestigious institutions like AMAT and the Rete Lirica delle Marche Foundation, the Teatro dell’Aquila continues to be a vital production center, capable of uniting the preservation of its glorious past with the training of young people through acting schools and dedicated festivals.